Friday, December 12, 2008

How do valves work?

The relatively simple business of how valves/tubes work isn't that well treated on the net, so I'll have a go. I'm not so hot on physics so I will be very happy to be corrected on any of this.

The basic principle is that electricity can flow in a vacuum or a near-vacuum. That's what's happening inside a flourescent tube: the electricity - a stream of electrons - flows from one end to another and lights up some gas as it goes. Two poles, one at each end, are connected to the mains, and the current flows through the tube from one end to another.

Basically there are three of these wireable-uppable poles inside a valve of the type used for amplification. One (the anode or plate) is connected to a source of electricity, and a second one is earthed (the cathode). The electricity wants to flow (a bit like lightning) from the plate to earth* and it would do so if it wasn't for the third item in there, which sits between the plate and the cathode and is used to limit the current flow. This is the grid.

The grid needs to have some negative voltage on it to limit the current flowing through the valve. That's why valves are called valves - it's like a water pipe with a tap on it - the grid is the tap and it limits the flow going from one end of the pipe to the other.

The grid can only limit the current flow if there is negative voltage on it. The more negative volts, the more the current is limited. More negative volts on the grid is like turning the tap down.

This negative voltage is the 'bias' voltage. It sets a standard current flow. Without this bias voltage the current would flow too much, overheating the plates (they then glow red hot) and destroying the valve.

OK now here is how amplification happens. We also put the electrical waves that comprise the sound 'signal' on the grid. So the negative grid voltage is constantly varying with the sound of the guitar. That means that the current flow through the valve is also being varied exactly in tune with the variation on the grid. This means that the high positive voltage on the plate is varying too. The volts build up on the plate when the grid voltage limits the current, and lessen when the grid allows more current to flow.

This can happen many thousands of times a second - current flow is lightning-fast and the effect of the grid variation is equally fast. No problems with the variations that can make sound waves - electrical current flow is way faster than that.

So there is a small voltage wave on the grid - and a much bigger voltage wave on the plate. That's amplification.


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*In fact electrons flow the other way, 'upwards' from earth. But by convention the direction goes the other way, because all the circuit conventions were well established before the true direction of electron flow was discovered. So the cathode is heated to make the electrons flow from it. And the cathode isn't always directly earthed... but you don't need to know any of this to get the basic drift.

5 comments:

  1. Does an early 80's Fender Rivera Concert amp have adjustable bias? If so, is there a bias test point for the DC voltmeter?

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  2. Hello Anonymous. The Concert has a bias balance pot if I remember correctly; if so the bias may be adjusted by changing the resistor soldered to its body. Twiddle the pot to cut hum to its lowest level. No DC voltmeter test point though, definitely not.

    Usual disclaimer - take great care in there, lethal voltages abound.

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  3. Steve, thanks for this.
    I've had tube amps for 30 years ... but I never knew the mechanics of making a little sound into a "push you back against the wall*" sound.

    (* actually, I only do this after I have checked the room is clear of children, animals and people bigger than me ...)

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  4. Well I hope I helped a little bit with the understanding.

    Transistors use the same principle to amplify, ie a small signal used to turn the tap on a bigger flow.

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  5. Happy New Ywear Steve who ever you are But you know your amps. George

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